Archive for the ‘Mexico’ Category
Like its predecessor, THE HUMMINGBIRDâ€™S DAUGHTER, Urreaâ€™s sequel, QUEEN OF AMERICA is a panoramic, picaresque, sprawling, sweeping novel that dazzles us with epic destiny, perilous twists, and high romance, set primarily in Industrial era America (and six years in the authorâ€™s undertaking). Based on Urreaâ€™s real ancestry, this historical fiction combines family folklore with magical realism and Western adventure at the turn of the twentieth century.
November 30, 2011
Â· Judi Clark Â· No Comments
Tags: 1900s, Job-centered, Latin American, Magical Realism, Time Period Fiction Â· Posted in: California, Facing History, italy, Latin American/Caribbean, Mexico, NE & New York, New Orleans, New York City, Texas, United Kingdom, US Southwest, Washington, D.C., Wild West
Dagoberto Gilbâ€™s latest book, BEFORE THE END, AFTER THE BEGINNING, although a slight collection, is loaded with insight and humor. Itâ€™s a book about identity, about the tension between limiting factors outside our controlâ€“ our race, our class, our gender â€“ and our complexity as individuals.
November 9, 2011
Â· Judi Clark Â· No Comments
Tags: Grove Press, Identity, Latin American Â· Posted in: Class - Race - Gender, Humorous, Latin American/Caribbean, Mexico, Short Stories, Texas, y Award Winning Author
rief is, by and large, a private and intimate thing. We utter a few platitudes and then turn away in discomfort from who are laid bare by their grief. And emotionally, we begin to withdraw.
Francisco Goldman shatters those boundaries in his devastating book Say Her Name, forcing the reader to pay witness to the exquisite and blinding pain of a nearly unbearable loss. He positions the reader as a voyeur in a most intimate sadness, revealing the most basic nuances and details and the most complex ramifications of the loss of someone dear. And in the process, he captures our attention, rather like Samuel Coleridgeâ€™s Ancient Mariner, until the reader is literally as fascinated and transfixed with Aura Estrada â€“ Francisco Goldmanâ€™s young and doomed wife â€“ as he himself is. It is a masterful achievement, hard to read, hard to pull oneself away from.
In his fourth Charlie Hood thriller, three-time Edgar winner Parker continues to mine the violent drug and arms trafficking over the Mexico/California border. Hood, 32, an L.A. Sheriffâ€™s Department officer, has been on loan to the ATF for 15 months, assigned to drug operations in this â€śoften infernal, often violent, often beautiful desert.â€ť Itâ€™s a place Hood has come to love â€“ and fear.
This time out the central plot concerns an undercover ATF agent, Sean Ozburn, who seems to have gone berserk. Early one morning, while his team (which includes Hood) is monitoring a trio of cartel-affiliated teen killers in a rented safe house, owned by the ATF, the cameras suddenly go dark and all three boys die in a hail of bullets.
Wow! This quotation should indicate why I both reveled in this rich and wonderful book and yet had such trouble getting through it. It was my first Fuentes, and may or may not be typical of his earlier style, but it is original, gloriously baroque, and alarmingly dense.
In LA Sheriffâ€™s Deputy Charlie Hoodâ€™s third adventure, set in the California desert border town of Buenavista, Hood joins an ATF operation to stem gunrunning to Mexico. When an ATF weapons-buy ends in the accidental death of a cartel leaderâ€™s son, the bad guys take revenge, abducting and torturing the agent responsible. Naturally a rescue is in the offing.