Archive for the ‘Contemporary’ Category
Cressida Hartley is suffering from a serious case of ennui. At 28, she is stagnating in ABD status, trying to finish her dissertation in economics, wholly disliking her field of expertise. It’s the eighties, and Reaganomics doesn’t suit her. But she found a way to integrate her affinity with art with her thesis–she’s writing about the value of art in the marketplace. So she moves to her parents vacation A-frame in the Sierras, intending to wrap herself in the mountain air, solitude, and writing.
Miles Adler-Rich is a precocious teen-ager, very much upset by the changes in his family. His parents have recently divorced and his mother has taken up with a new boyfriend named Eli Lee. Eli says he works for the National Science Foundation and professes to love Miles’s mother, Irene, very much. However, there is something about Eli that seems off to Miles.
IN MARRYING OF CHANI KAUFMAN, Eve Harris discloses the secrets of a Chasidic community in Golders Green, London, focusing on the tribulations of three families: the Kaufmans, Levys, and Zilbermans. The Kaufmans have eight daughters, one of whom, nineteen-year-old Chani, is seeking an intelligent, animated, and good-natured husband. The Levys, a well-to-do couple, want only the best for their son, Baruch, and plan to settle for nothing less. The Zilbermans are online pokies facing a major crisis. Rabbi Zilberman’s wife, Rivka, is no longer a contented spouse, mother, and homemaker; she is restless, edgy, and depressed. Adding to the tension is the fact that one of her sons, Avromi, a university student, is acting strangely. He is secretive, stays out late, and avoids telling his family where he has been.
April 7, 2014
В· Judi Clark В· No Comments
Tags: Grove Press, Hasidic Life, Jewishness, Life Choices, London, Loss, Married Life В· Posted in: Contemporary, Family Matters, Man Booker Nominee, United Kingdom, World Lit
Ayelet Waldman’s new book begins in Red Hook, Maine, the setting of her novel RED HOOK ROAD, but the two could hardly be more different. For whereas she had previously confined herself to two families in the same setting over a period of a very few years, she travels in this one to Salzburg, Budapest, and Israel, at various periods over a hundred-year span. By the same token, though, it is a stretch to call Love and Treasure a novel; it is essentially a trilogy of novellas, each with different characters, but linked by a single object and common themes. The object is an enameled Jugendstil pendant in the shape of a peacock. Although only of modest value, it plays an important role in the lives of the people who people who possess it, and provides a focus for the novelist’s enquiry into the lives of Hungarian Jews both before and after the Holocaust.
Harriet “Harry” Burden was an obscurely known artist for much of her life, and also a wife, mother, and scholar. She was criticized for her small architectural works that consisted of too much busyness–cluttered with figures and text that didn’t fit into any schema. Her husband, Felix Lord, was an influential, successful art collector, but who couldn’t help his wife for alleged fear of nepotism. After Felix died, Harriet came back with a vengeance, and under three male artist’s pseudonyms (artists that she sought out), she created a combination art (part performance, if you consider the pseudonyms as part of the process) a trilogy which was successful, and even more lauded posthumously. They were shown individually under the names of “The History of Western Art, ” “The Suffocation Rooms,” and “Beneath.” Later, when unmasked (so to speak), they were identified as Maskings. I am reluctant to reduce and categorize Harriet–although labels such as “feminist” may apply.
The greatest gift that any writer can give her readers is providing them with a fictional world they can immerse вЂ“ and ultimately lose вЂ“ themselves in.
ThatвЂ™s precisely what Meg Wolitzer achieves in THE INTERESTINGS, surely the most fully-realized and satisfying book of her career.
This panoramic saga focuses on a group of Baby Boomers from the time they meet at a camp for the creatively gifted as teenagers through middle age. The bond that draws these divergent characters together is powerful and special; they dub themselves вЂњThe Interestings.вЂќ And the bond, for the most part, is stretched, sustained, and redefined as they age.