THE WEIRD SISTERS by Eleanor Brown
“Your story, Bean, is the story of your sisters. And it is past time, I think, for you to stop telling that particular story and tell the story of yourself. Stop defining yourself in terms of them. You donâ€™t just have to exist in the empty spaces they leave.”
Review by Jill I. ShtulmanÂ (JAN 20, 2011)
The thorny relationship between sisters has offered a mother lode of material for writers dating back to the start of time. Shakespeare tackled it in King Lear; in modern times, authors that vary from Louisa May Alcott to Julia Glass and Jane Smiley have put their personal spin on this theme.
Now debut author Eleanor Brown takes her turn. Meet Rosalind, Bianca, and Cordelia, three sisters named for Shakespearean heroines by their eccentric and professorial father. These are women who look very much alike, maintain a common family bond, but if truth be told, donâ€™t like each other very much.
Ms. Brown defines the roles that sisters are inevitably forced to play within the structure of the family. She writes, â€śWho would Bean be if she dropped her beautiful mask? Who would Cordy be if she stepped up to the plate in her own life? And who would Rose be if she werenâ€™t the responsible one anymore?â€ť
These are the questions the three sisters are forced to explore when twists of life bring the two younger prodigal sisters back to their collegial hometown, just at the point when their mother has received a breast cancer diagnosis. Each is at a cross point: Rose must decide whether to burst free from her self-imposed safety net, spread her wings, and follow her fiancĂ©e to his once-in-a-lifetime job opportunity in London. Bean is running from significant debt that she needed â€śto play her part effectively: the shoes, clothes, the makeup, the drinks at bars and clubs where a bottle of water alone ran nearly ten dollars.â€ť And Cordy? The baby of the family has discovered that she herself is pregnant with her own baby.
Eleanor Brown chooses to use the third-person plural to demonstrate the â€śwe-nessâ€ť of these sisters, who are threads of the same cloth, tied in together for life. Third-person plural is not an easy tense to pull off, and there is an awkwardness in it from time to time, although I certainly applaud her intentions. Similarly, the Shakespeare aphorisms that the father regularly spouts â€“ â€ścommunicating his deepest feelings in the words of a man who has been dead for almost four hundred yearsâ€ť — sometimes come across as inorganic.
Of course, the exploration of sisterhood is complicated, as these characters show. Ms. Brown writes, â€śWe werenâ€™t going to talk about it, we werenâ€™t going to share any feelings or discuss any arrangements, not going to bond in any type of movie montage moment where emotional music swelled as we hugged and wept for our motherâ€™s loss and our own fear. Instead, we were going to wrap ourselves in cloaks woven from self-pity and victimhood, refusing to admit that we might be able to help each other if weâ€™d only open up.â€ť
Itâ€™s that â€śopening upâ€ť process that is mined within these pages. By the end of the book, there will be growth in each and every character, some predictable, some a surprise. There are many â€śweird sistersâ€ť out there who will recognize their own roles and their own family dynamics.
|AMAZON READER RATING:||from 98 readers|
|PUBLISHER:||Amy Einhorn Books/Putnam (January 20, 2011)|
|REVIEWER:||Jill I. Shtulman|
|AVAILABLE AS A KINDLE BOOK?||YES! Start Reading Now!|
|AUTHOR WEBSITE:||Eleanor Brown|
|MORE ON MOSTLYFICTION:||Read our review of these “Sister” novels:
Her Fearful Symmetry by Audrey Niffenegger
I See You Everywhere by Julia Glass
My Sister’s Keeper by Jodi Picoult
- The Weird Sisters (January 2011)