PIGEON ENGLISH by Stephen Kelman
“Whoâ€™d chook a boy just to get his Chicken Joeâ€™s?”
Review by Poornima Apte Â (SEP 14, 2011)
Around ten years ago, a young Nigerian immigrant, 10-year-old Damilola Taylor, was beaten by boys barely older than him in Peckham, a district in South London. Damilola later bled to death. The incident sparked outrage in the United Kingdom and was subsequently pointed to as proof that the countryâ€™s youth had gone terribly astray.
The same incident seems to have also inspired a debut novel, Pigeon English, with 11-year-old Harri Opoku filling in for the voice of Damilola Taylor. As the book opens, Harri has recently emigrated from Ghana to London with his older sister and his mother. Dad and younger sister and the rest of the family are still in the native country and Harri is often brought back to his home country through extended phone calls exchanged between the two sides.
Like most children, Harri is not privy to the intricate goings-on in the lives around him. Itâ€™s a fact made worse by the displacement brought about by immigration. Harri must not just figure out the ways of the world, he must do so in a new place where the rules of the game are entirely unfamiliar. Even if life in the ghetto is painful and lived in extreme poverty, Harri finds plenty to keep him in good spirits. For one thing, he wants to try every kind of Haribo (candy) in the store close to him.
Even better he has struck a tentative friendship with a local boy, Dean. With Deanâ€™s help, Harri is determined to solve a recent crimeâ€”one where a kid like himself is found brutally murdered in a struggle over a fast food meal. The devastating tragedy affects Harri deeply and he is determined (in a typical naĂŻve and childish way) to find the killers. Unfortunately he gets too close to the real killersâ€”people who might not appreciate interference from a bright-eyed curious kid.
Pigeon English is narrated through Harriâ€™s voice so the English is broken and mixed in with special words whose meanings become apparent only after a few readings. â€śBo-stylesâ€ť for example, means very good while â€śAswehâ€ť is the more readily understandable, â€śI swear.â€ť
Harriâ€™s musings and experiences can be funny at one moment and heartbreaking the next. Author Stephen Kelman has done a terrific job in capturing the boyâ€™s voice. The problem with Pigeon English is that the same voice eventually becomes a distraction. It never becomes seamless enough so the reader can concentrate on what the boy is sayingâ€”youâ€™re forever hung up on how heâ€™s saying it. And of course there are times when he says too much: â€śI can make a fart like a woodpecker. Asweh, itâ€™s true. The first time it happened was an accident. I was just walking along and I did one fart, but then it turned into lots of little farts all chasing it.â€ť Did we really need to know that?
It was entirely a coincidence that I read this novel right around the time that the London riots made headline news around the world. As was reported by the New York Times and other news outlets, it was the youth who were the primary looters and criminals in these riotsâ€”an effect brought about by a â€ścombination of economic despair, racial tension and thuggery.â€ť The riots, the paper reported, â€śreflect the alienation and resentment of many young people in Britain.â€ť Read at this particular moment in history, Pigeon English then seems much more than a fairly good readâ€”it also comes across as an important one. One canâ€™t help but wonder how much the timely relevance of its subject matter lead Pigeon English to be shortlisted for the Man Booker Prize this year.
â€śI made the choice, nobody forced me,â€ť says Harriâ€™s mother about the decision to move her kids to London from Ghana. â€śI did it for me, for these children. As long as I pay my debt theyâ€™re safe and sound. They grow up to reach further than I could ever carry them.â€ť Pigeon English is a moving novel not just because it is a stark story about Londonâ€™s ghettos, but because it reminds us that for many in the developing world, a move to this kind of a hell is actually a move up.
|AMAZON READER RATING:||from 24 readers|
|PUBLISHER:||Houghton Mifflin Harcourt; 1 edition (July 19, 2011)|
|AVAILABLE AS A KINDLE BOOK?||YES! Start Reading Now!|
|AUTHOR WEBSITE:||Stephen Kelman|
|MORE ON MOSTLYFICTION:||Read our review of:
- Pigeon English (July 2011)
September 14, 2011
Â· Judi Clark Â· No Comments
Tags: Houghton Mifflin Harcourt, Immigration-Diaspora, Life Choices, London, Real Event Fiction Â· Posted in: Class - Race - Gender, Debut Novel, Facing History, United Kingdom, World Lit